At no point does the fact that de Armas is of Cuban/Spanish heritage detract from her depiction, helped by her portrayal and the cinematography.īlonde can often be difficult to watch, both for the material it contains and because it has a nearly three-hour running time. She embodies Marilyn in many ways, but it’s the eyes – the way she makes them big and darts them back and forth, as if unsure of herself – where she fully becomes her. It’s difficult to reconcile the way Norma Jeane/Marilyn is treated by the other characters in the film and how the film seems to linger on her nakedness and vulnerability the exploitation can often seem equal.įor all of the discomfort the film causes, de Armas’ performance is fantastic. There is a good amount of nudity, but the rating likely stems from one highly suggestive sex scene that seems to explicitly depict an act that it doesn’t actually show. The visual choices are likely not as haphazard as they can seem, but there are only a few instances where an aspect ratio or color choice makes an impact on the actual story.Īlso notable is the fact that it's rated NC-17, a rarity for any film released in the U.S. The film is striking visually because Dominik constantly shifts between video aspect ratios and going back-and-forth from color to black-and-white. Every man who comes into her life is looked at by her as some sort of replacement for her absent father, especially DiMaggio and Miller, both of whom she literally calls “Daddy.” If there’s a moment where she felt some sort of power or control over her own life, it’s not depicted in the film. More than anything else, it depicts Marilyn as someone forever scarred by her childhood and unable to adequately function on her own as an adult. Dominik, adapting his story from the 2000 fiction novel by Joyce Carol Oates, seems to posit that Norma Jeane/Marilyn’s life had close to zero happiness in it, and even when she did experience fleeting moments of joy, they were tinged by other people taking advantage of her or expecting something more from her than she could give. Written and directed by Andrew Dominik, the film is among the most depressing movies about a celebrity one could imagine. Close to a cradle-to-grave story, the film follows Norma Jeane Baker (Ana de Armas) from her traumatic childhood with a mentally unstable mother (Julianne Nicholson), to burgeoning stardom full of lascivious studio heads and producers, to icon status as Marilyn Monroe, featuring marriages to Joe DiMaggio (Bobby Cannavale) and Arthur Miller (Adrien Brody), as well as one very high-profile affair.īobby Cannavale and Ana de Armas in Blonde The new epic-length Netflix film Blonde is far from the first time that it’s been said that Marilyn Monroe was exploited in her relatively short life and career, but it does seem to revel in that misery more than most. Some people seek that attention and some people thrive in it once they get it, but there are others for whom fame is toxic, something that makes their life immeasurably worse. for sale, but it is unclear if the property has been purchased.ĬultureMap will update this article as more information becomes available.Īmerican celebrities are simultaneously some of the most admired people in the world and the most scrutinized, both simply because they are in the public eye a lot. A November real estate listing showed the entire block at 1.27-acre lot at 1808 E. Weather Up soon became as popular for its cuisine as its cocktails, especially during Sunday brunch. In 2013, Kristine Kitrell - a veteran of Jeffreys, the El Chile Group, and now-shuttered concepts Mulberry and Stortini - took over the kitchen as executive chef and later managing partner, replacing former on-site food truck Tapas Bravas. With a dedicated ice program and intriguing spirit selection, the Austin outpost helped usher in a new age of craft cocktail culture locally. Weather Up first came to the east side in 2012, the third location of a concept originally opened by Katherine Weatherup in Brooklyn in 2008. The patio furniture had been removed from the backyard, and glassware appeared to be in the process of being packed up. The location is still listed on the main Weather Up site, but the official Facebook page is no longer active.Ī visit to the property on June 3, however, revealed that the bar was in the process of being gutted. Social media reports are indicating that the Austin location of Weather Up closed on June 2.Īlthough CultureMap reached out to several people associated with the bar, no requests were returned at press time. One of the pioneers of Austin’s craft cocktail scene appears to have shuttered.
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